HAL Picture

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12/11/2026

Meet Dia² Lite - Introducing our new intuitive preset mixer, for fast and stunning looks.

Designed for independent filmmakers, content creators and image professionals looking to create distinctive color and texture looks in minutes.

→ Fast look creation: Start from curated presets, ranging from subtle film-inspired aesthetics to bold digital looks.
→ Creative flexibility: Mix modules, adjust essential parameters and make every look your own.
→ Smart color science: The same rigorous algorithms behind HAL Picture's professional tools, in a fast and intuitive workflow.

🎬 Available now for DaVinci Resolve on macOS & Windows.
🔗 Discover Dia² — Link in bio.

🎬 In theaters tomorrow _ Discover stills from The Golden Age, directed by Bérenger Thouin.Selected at Cannes Classics 20...
10/11/2026

🎬 In theaters tomorrow _ Discover stills from The Golden Age, directed by Bérenger Thouin.

Selected at Cannes Classics 2026, The Golden Age blends archival and contemporary footage across both black-and-white and color images. Using and , colorists Laurent Ripoll and Julian Nouveau helped shape a seamless visual dialogue between these different materials, refining color, contrast, saturation and texture while preserving their cinematic quality.

🎬 Director: Bérenger Thouin
🎥 Cinematographer: , AFC
🎨 Colorists: &
🔹 Production:
🔹 Producer: Carine Ruszniewski ()

Craft your own palette with our toolbox.
➡️ Link in bio

05/11/2026

🔎 FOCUS ON DIA² | Inside a Professional & Streamlined Look-Development Workflow

From fine-tuning individual parameters to mixing modules and building your own looks, discover how Dia² brings color, texture and creative flexibility into one fully parametric workflow.

🚀 20% OFF all HAL Picture products until November 11.
🔗 Discover more — Link in bio.

Dia², Diachromie and Diaphanie make quite a team. Swipe to see how they work together!💻 Dia² compatibility:• DaVinci Res...
03/11/2026

Dia², Diachromie and Diaphanie make quite a team. Swipe to see how they work together!

💻 Dia² compatibility:
• DaVinci Resolve — Windows, macOS & Linux
• Baselight — macOS & Linux
• Livegrade (Frontier Edition) — macOS

🎁 Already own a Diachromie + Diaphanie bundle? Good news: one Dia² seat is on us. Yes, even for existing owners.
🚀 And there's more: 20% OFF all HAL Picture products until November 11.

🔗 Explore the ecosystem: link in bio.

28/10/2026

Meet Dia² - Our new professional look-development plugin is here.

Introducing our new professional look-development plugin, powered by HAL Picture's smart color science.
Color and texture in a single professional look builder.

→ One unified workflow: shape color and texture through curated, cinematography-focused controls.
→ Creative flexibility: start from presets, mix modules, fine-tune parameters and craft your own looks.
→ Connected creativity: exchange presets with Diachromie and Diaphanie to take your creative exploration even further.

🚀 LAUNCH OFFER: 20% OFF all HAL Picture products until November 11.
🎬 Available now for DaVinci Resolve on macOS & Windows.
🔗 Discover Dia² — Link in bio.

🎬 Stills from L’Espèce explosive (Too Many Beasts), Sarah Arnold’s debut feature film, which premiered at the 2026 Canne...
28/10/2026

🎬 Stills from L’Espèce explosive (Too Many Beasts), Sarah Arnold’s debut feature film, which premiered at the 2026 Cannes Directors’ Fortnight and won the Europa Cinemas Label for Best European Film.

Using and , colorist Laurent Ripoll helped shape the film’s distinctive look, bringing depth, texture and character to its diverse visual atmospheres. A visual journey through muted greens, cool blues, earthy tones and striking warm contrasts.

🎬 Director: Sarah Arnold (.vigor.5)
🎥 Cinematographer: Noé Bach
🎨 Colorist:
🔹 Post House:
🔹 Production:

Craft your own palette with our toolbox.
➡️ Link in bio

🧠 Today in Decoding Nerdy Stuffs: Film Emulation.What we commonly refer to as the “film look” doesn't necessarily reflec...
21/10/2026

🧠 Today in Decoding Nerdy Stuffs: Film Emulation.

What we commonly refer to as the “film look” doesn't necessarily reflect how actual film behaves. From sampling biases to the differences between negative and positive film, recreating the look of film goes far beyond applying a LUT.

Let's unpack some common misconceptions about film emulation and explore why flexibility and creative control matter.

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What if a look could solve more than aesthetic problems?At Micro Salon 2026, we explored how parametric look development...
07/10/2026

What if a look could solve more than aesthetic problems?
At Micro Salon 2026, we explored how parametric look development can do more than shape an image.

→ It sits at the center of the pipeline.
→ It turns intentions into controllable behaviours.
→ It can become part of storytelling.
→ It can survive SDR and HDR.
→ It can travel across cameras.
→ It can preserve an aesthetic across technologies.
→ And ultimately, it removes technical friction to leave more room for creation.

From Extra Lucide to multi-camera workflows and film restoration, the conference looked at how a well-designed look can help carry a visual intention throughout the entire production chain.

👉 Swipe through for the key takeaways.
🎥 Watch the full conference on our YouTube channel, link in bio.

🎬 Stills from “Paolo”, directed by , now available on .The series was selected for  competition and presented at  in La ...
30/09/2026

🎬 Stills from “Paolo”, directed by , now available on .
The series was selected for competition and presented at in La Rochelle.

🎬 Director: Sébastien Marnier
🎥 Cinematographer:
🎨 Colorist:
🔹 Post-production:
🔹 Production: Mintee Studios & Asacha Media Group

Explore your own palette with the HAL Picture toolbox
➡️ Link in bio

🗣️ «Being more and more often involved in projects during the pre-production phase, I am naturally interested in any too...
23/09/2026

🗣️ «Being more and more often involved in projects during the pre-production phase, I am naturally interested in any tool that offers different ways of image and color manipulation than the existing and familiar ones. »

For this new Creators’ Take, we spoke with colorist and lecturer Dirk Meier, whose work spans feature films and documentaries including Lars von Trier’s Antichrist, Sebastián Lelio’s A Fantastic Woman and most recently, Kleber Mendonça Filho’s The Secret Agent.

He first came across Diachromie & Diaphanie through a look development presentation at Camerimage. A few months later, he got the opportunity to put them to work on Gabin, a documentary following its main character over ten years.
With footage coming from different cameras and periods, the challenge was not to impose a strong aesthetic, but to build a consistent visual language across the film.

What began as a first trial didn’t stop there: since Gabin, Dirk has used both tools across several other projects, from pre-production look development to final grading.

Swipe through to discover his approach to look development, his work on Gabin and what stood out to him about HAL Picture’s parametric workflow.

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