LiquidSonics

24/02/2026

Grammy-winning engineer Dave Clauss has built his reputation mixing Latin superstars like Shakira, Carlos Vives, and Maná. His work has earned him seven Grammy wins (including five Latin Grammys) and, most recently, a 2025 Grammy for Best Latin Pop Album for Shakira's "Las Mujeres Ya No Lloran."

When mixing immersive audio for these projects, he relies on Seventh Heaven Professional and Cinematic Rooms Professional: "I use Seventh Heaven constantly on almost every source; the rooms and halls are simply unmatched in my opinion. Both Seventh Heaven and Cinematic Rooms have become essential in my Atmos workflow. Being able to take my stems and reverb sends then expand them into an immersive environment while perfectly preserving the original vibe and 'weight' of the mix is a game-changer."

For engineers working in Atmos who seek reverb that preserves the emotional impact and sonic character of their stereo mixes, Seventh Heaven Professional and Cinematic Rooms Professional deliver the precision and depth needed for award-winning results.

Visit the link in the comments to learn more about LiquidSonics reverbs.

06/02/2026

Fab Dupont is a NYC-based producer, engineer, and studio owner with multiple Latin Grammy nominations. His credits include Residente, David Crosby, and Bad Bunny, including a mix on the Grammy-winning album "DeBÍ TiRAR MáS FOToS". For immersive projects, he relies on Cinematic Rooms Professional:

"I love the true 7.1.4 sound of Cinematic Rooms Professional. It makes for a more realistic spatialization of mono and stereo sources."

28/01/2026

Angelo Carretta is a two-time Grammy-winning engineer and producer at Sunset Studios Miami. His credits include Shakira’s “Las Mujeres Ya No Lloran” (Best Latin Pop Album, 67th Grammys), Bad Bunny, Selena Gomez, J. Balvin, and Kali Uchis.

After seeing fellow Grammy-winner Dave Clauss using Seventh Heaven Professional, Angelo decided to try it for himself:

“I really like the depth Seventh Heaven Professional is adding to everything. Super lush and rich reverb, and the presets are otherworldly.”

06/01/2026

Ken Freeman is a live front-of-house engineer for top acts, including Steve Lukather's iconic band Toto. Running Seventh Heaven Professional in Apple's MainStage, he's made it an essential part of his touring rig, using up to twelve premium reverb instances in his mixing workflow:

"No matter where I am, from giant arena rock to a small jazz session or an orchestral recording, LiquidSonics products have become some of my must-have plugins. The entire product seems transparent, silky and smooth, with a user interface that is both intuitive and complete. The Bricasti M7 has always been a favorite for its natural sound and Seventh Heaven is the closest emulation I've found as a plugin."

24/12/2025

We caught up with Oscar and two-time Grammy-winning producer, engineer and mixer Robert L. Smith to find out about an ambitious on-location Celtic music recording session at Cold Comfort Farm in rural New Hampshire, where he built a full studio from scratch inside a barn in under a day before embarking upon a week of productive tracking in sweltering heat - only to discover back in New York that the real challenges were only just beginning.

Using the natural reverb of the space had been a key objective for the project, but a growing number of detailed edits rapidly began to erode Robert’s latitude to incorporate the barn’s beautiful ambient room captures into the mix.

Robert shared how LiquidSonics reverbs came to the rescue, providing a convincing and cohesive space that stood up to the scrutiny of the original artistic intent by presenting the music within the unmistakable room acoustic aesthetics of the natural communal venues that are the sonic bedrock of traditional Irish music.

Dive into Buff’s world of reverb and learn how he approached reverb in his Grammy-nominated Tearjerkers album.

23/12/2025

Grammy-nominated producer, songwriter, and multi-instrumentalist Dimitri Tikovoï has worked with artists including Ghost, Charli XCX, and The Libertines. He recently started mixing with LiquidSonics' Seventh Heaven reverb and has quickly added it to his template. At a recent session at RAK Studios, London, he shared his thoughts:

"I've been genuinely impressed. Seventh Heaven delivers an incredibly lush, natural-sounding reverb that sits beautifully in the mix. It's intuitive, musical, and adds that unmistakable depth and realism I've been looking for. I've already found myself reaching for it on multiple projects, and I can confidently say it's become a go-to in my workflow."

17/12/2025

Ask Hans-Martin Buff about reverb, and the conversation does not begin with a list of favourite plug-ins. It begins with a joke at his own expense:

“I’m such a princess about reverbs,” he laughs. “I’m really picky about what they do and how long they’re allowed to hang around.”

His instinct, shaped by years of relatively dry Prince mixes and a later obsession with recording real rooms, is to start with acoustics whenever the opportunity exists and then use plug-ins to finesse what reality has given him.

Our latest interview deep-dive with Hans-Martin showcases his unique approach to reverb and room recording for his Grammy-nominated Tearjerkers album and Peter Gabriel’s Grammy-winning i/o (In-Side Mix) with audio demos and actionable tips.

🔗 https://at.liquidsonics.com/xboUaX

Big thanks to Hyunkook Lee and Lasse Nipkow, as well as the Verband Deutscher Tonmeister e.V., for their support.


Photo credits: York Tillyer, Mark Craig, Steve Kraitt

Dive into Buff’s world of reverb and learn how he approached reverb in his Grammy-nominated Tearjerkers album.

16/12/2025

LiquidSonics returned to IMSTA FESTA Seoul in partnership with our South Korean distributor , connecting once again with the local audio community at one of the region’s most engaging music-technology events.

At Gearlounge’s demo station, attendees were able to explore LiquidSonics’ reverb portfolio hands-on and discuss real-world workflows with the team. From the industry-standard Cinematic Rooms Professional to the definitive Bricasti M7 simulation, Seventh Heaven Professional, attendees had the chance to experience the depth and precision of LiquidSonics’ reverb plugins firsthand. IMSTA FESTA’s open, education-driven format made it an ideal setting for focused conversations around sound, production techniques, and creative intent.

Our thanks to the Gearlounge team for their continued commitment and for representing LiquidSonics with such care and professionalism.

15/12/2025

In this deep dive with the amazing Matt Weiss on Produce Like A Pro, he explores why Cinematic Rooms Professional has become a go-to tool for mixers working at the highest level.

It is not about making things sound bigger, it is about making them feel right. If you want to understand how top engineers think about space, storytelling, and emotion, and why this reverb keeps showing up on serious records and immersive mixes, this is one you will want to spend time with.

➡️➡️ Download Matt Weiss's Cinematic Rooms Presets Here: https://producelikeapro.com/blog/liquidsonics-cinematic-rooms-the-reverb-professionals-trust-when-it...

28/11/2025

Find out how composer/producer/musician AR Rahman (A.K.A. ARR) uses Cinematic Rooms Professional on the Fourier Audio transform platform for his 2025 Wonderment Tour in this brand new article on Mix Magazine.

Composer/producer/musician AR Rahman (A.K.A. ARR) has been on the road this year with the 2025 Wonderment Tour.

25/11/2025

Swedish mix engineer Stefan Boman has mixed metal productions for bands like Opeth, Ghost, and Graveyard. LiquidSonics’ Seventh Heaven Professional is one of his go-to choices for reverb:

“With metal music, you have to be careful not to overdo it with reverb. But LiquidSonics‘ Seventh Heaven is really suitable for it, because it feels very transparent. Ninety percent of the time, I use the Sunset Chamber preset.“

Exhaustively and meticulously sampled, Seventh Heaven Professional is the most comprehensive and realistic simulation of the Bricasti M7 available. Seventh Heaven Professional offers the distinctive sound of the M7 in multi-channel environments up to 9.1.6. Although Stefan owns a Bricasti M7 hardware reverb unit, he also utilises the Seventh Heaven Professional plugin, particularly when working in Dolby Atmos.

🔗 Click the link in our bio to get the full story about how Stefan mixed Opeth’s “The Last Will And Testament” in Dolby Atmos.

🔥Big thanks to , , .music, and for collaborating on this story! Visit Kohle Audio Kult for the stereo mixing course and submit your own mix 🤘

19/11/2025

How do you add spatial depth to an immersive mix without making it sound wetter than the stereo version?

UK engineer Mark Gittins faced this exact challenge when mixing Judas Priest's Grammy-nominated "Invincible Shield" and Dream Theater's "Parasomnia" in Dolby Atmos for legendary producer Andy Sneap.

His innovative solution leverages Seventh Heaven Professional as a spatialiser rather than a traditional reverb, heavily favouring early reflections over late tail.

"It's essentially invisible as a reverb," Mark explains. "You can't hear that I've added any reverb to the mix, but you get the spatial benefit."

This technique has become the cornerstone of his immersive workflow when translating stereo stems to immersive mixes. In our in-depth interview, Mark breaks down the spatialiser approach, shares specific metal mixing presets, and explains why Seventh Heaven Professional is the only immersive reverb he owns.

🔗 Link in comments to read the full interview.