20/01/2026
Can Your Compressor Do This?
Most dynamics tools still revolve around a single decision point. One threshold, one behaviour. You can add multiband processing, sidechains and clever timing, but the underlying idea rarely changes. The signal crosses a line and something reacts.
Dynamic Grading takes a different approach. Instead of treating level as a trigger, it treats it as a structure. Punch, Body and Floor are handled as distinct regions, each with its own behaviour. That shift matters, because it allows you to shape how a sound behaves over time, not just how loud it gets.
And the region most tools ignore is the floor.
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