205TF TF, 2 letters that signify at the same time Type Foundry and Typographie Française (French Typograp

Project: Silver Honors Stone: The Work of Julian LovatoTypefaces: Clifton (Yoann Minet, 205TF); Sandleford (Beasts of En...
02/11/2026

Project: Silver Honors Stone: The Work of Julian Lovato
Typefaces: Clifton (Yoann Minet, 205TF); Sandleford (Beasts of England); Arial
Graphic design: Jocelyn Lau
Curators: Henrietta Lidchi and Deborah C. Slaney

28/10/2026

Plaax, updated!

Designed by Damien Gautier and first released in 2019, Plaax extends the Plaak typeface with lowercase letters. Initially released exclusively in Upright styles, Plaax is now expanded with the addition of Slanted styles across the entire family.⁠
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The 2026 update brings the family to a total of 54 styles: 20 Upright and 34 Slanted, with slant angles ranging from 8° to 16° depending on the “series”.⁠
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Inspired by the lettering found on French street nameplates, Plaax explores the overlooked diversity of these everyday alphabets through simple, robust, and highly functional forms.⁠
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Also read: Originally published in the first issue of our magazine Irregular, Damien Gautier takes an in-depth look at the creative process behind Plaak, exploring the origins and development of the typeface.⁠

Project: Dans la tête d’un platiste, Sylvain ChatyTypeface: Immortel (Clément Le Tulle-Neyret, 205TF)Graphic design: Fan...
23/10/2026

Project: Dans la tête d’un platiste, Sylvain Chaty
Typeface: Immortel (Clément Le Tulle-Neyret, 205TF)
Graphic design: Fanette Mellier, Béatrice Delas
Publisher: Université Paris Cité Éditions

21/10/2026

Carving shapes: Lyons letterforms, from stone to digital
with Matthieu Cortat-Roller

The city of Lyon, in south-eastern France, is home to many carved inscriptions, dating back to its foundation by the Romans in 43 BCE. Living among them, a type designer can hardly remain untouched by these letterforms. This was as true in 1846 as it is today, when Louis Perrin decided to break away from the dominant Didot/Bodoni style of the time and cut a series of Augustaux, one of the first type designs conceived as a “revival”.

Originally cut for the book Inscriptions antiques de Lyon, these types helped launch the “Elzevir” movement, which continued to grow throughout the second half of the 19th century.

This talk will take a closer look at Perrin’s model and explain the process behind the design of Louize, itself a revival of Perrin’s revival. The second part of the talk will briefly introduce Molitor, a geometric Art Deco typeface also inspired by Lyon’s stone carvings, but taking a rather different approach to their digital reinterpretation.

Monday, October 26, 2026
12:30 – 2:30 pm EST

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Project: One hundred years of the Tower of Saint Barnabas - Sagrada FamíliaTypefaces: Louize Display (Matthieu Cortat, 2...
15/10/2026

Project: One hundred years of the Tower of Saint Barnabas - Sagrada Família
Typefaces: Louize Display (Matthieu Cortat, 205TF); Inter-Regular (Rasmus Andersson)
Agency: Avanti. Design for Citizens
Creative Director: Alex Dobaño
Graphic designer: Aramis León
Client: Basílica de la Sagrada Família
© Avanti Studio · Photo: Aramis León

12/10/2026

Designers on Designers
Federico Parra Barrios and Eric Hu

How does a typeface find its voice in the hands of another?

Every typeface has a life beyond its creator’s desk, and every great achievement in editorial design begins with choosing the right letterforms. This virtual event, organized by AIGA NY, offers a glimpse into one such collaboration: the development of Exposure, a typeface created by Federico Parra Barrios, and its use by designer Eric Hu in the pages of Volume 7 of ATMOS.

Friday, October 16
12:00 p.m. – 1:15 p.m. EST

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08/10/2026

Roman Seban will present his typeface Bertin during a talk as part of the Format(s) festival in Strasbourg.

Designed by Roman Seban, Bertin draws inspiration from the work of renowned French cartographer Jacques Bertin and Dutch graphic designer Jurriaan Schrofer, exploring modularity, information and visual systems.

Saturday, October 10 — 3 PM (CET)
COOP CRIC
6, Place de la Virgule
67000 Strasbourg, France

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Project: Collection CaillouxTypeface: Indiana (Malou Verlomme, 205TF), Clarenville WIP (Matthieu Cortat & 205TF)Graphic ...
06/10/2026

Project: Collection Cailloux
Typeface: Indiana (Malou Verlomme, 205TF), Clarenville WIP (Matthieu Cortat & 205TF)
Graphic Design: Éditions 205

Project: Architecture situéeTypefaces: Immortel (Clément Le Tulle-Neyret, 205TF); Antique Legacy (Optimo)Designer: Build...
01/10/2026

Project: Architecture située
Typefaces: Immortel (Clément Le Tulle-Neyret, 205TF); Antique Legacy (Optimo)
Designer: Building Paris
Publisher: Building Books

25/09/2026

Leopardo, designed by Alexandre Bassi, draws inspiration from rich chancery models created by writing masters of the 16th and 17th centuries, offering a boldly contemporary interpretation.

Alexandre Bassi developed a deep fascination for these calligraphic models, captivated by the complexity and freedom of their shapes, sometimes pushing them to the limits of exuberance. Originally drawn with thin nibs and engraved on copper, these works significantly affected the initial sketches of Round hand script. Leopardo takes its name from the writing manual De caratteri di Leopardo Antonozzi, which greatly influenced the type designer.

Leopardo captures the vitality of the calligraphic gesture while maintaining the stability and coherence of a typographic system. The design reveals a rich variety of details, characterized by a quick ductus, pronounced contrast, sharp terminals, and recurring drops, which liven up the typographic colour.

This display typeface comes in four styles: Laser, Thin, Light, and Regular. It offers a generous palette of glyphs and style variants, with numerous ligatures, as well as initial and final letters that enhance typographic compositions.

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