Tomomot visual design

Tomomot visual design Tomomot è un studio di comunicazione visiva. Tomomot è uno studio creativo che lavora nei vari settori della comunicazione visiva. Tomomot is palindrome.

Progettiamo libri, strategie visive e strumenti per aziende, istituzioni culturali e case editrici che apprezzano il valore del design. Fondato nel 2010 da Adolfo Botta e Sara Poli, Tomomot ha sede nel cuore di Venezia, ma è pronto a lavorare con tutto il mondo. Tomomot è palindromo.
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Tomomot is an independent creative studio dealing with different fields of visual communication. We design book

s, visual strategies and tools for brands, cultural institutions and publishing houses, that values the power of design. Founded in 2010 by Adolfo Botta and Sara Poli, Tomomot is based in the heart of Venice, but we are ready to work with the whole world.

With a special focus on Biennale Arte 2026, the latest issue of inVenice spotlights noteworthy exhibitions and events th...
04/07/2026

With a special focus on Biennale Arte 2026, the latest issue of inVenice spotlights noteworthy exhibitions and events through an editorial layout where gold shapes the reading experience, offering a sophisticated perspective on the city through the eyes of Venice’s luxury concierges.
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Published by
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Designed for the exhibition ‘Patrick Saytour: Le pli et le temps / La piega e il tempo’, the catalogue becomes a conside...
13/06/2026

Designed for the exhibition ‘Patrick Saytour: Le pli et le temps / La piega e il tempo’, the catalogue becomes a considered editorial space, where bilingual texts, folded alignments and immersive photographic sequences reflect the artist’s focus on surface, time and transformation.
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The visual identity conceived for ‘Patrick Saytour. Le pli et le temps / La piega e il tempo’ at Palazzo Vendramin Grima...
06/06/2026

The visual identity conceived for ‘Patrick Saytour. Le pli et le temps / La piega e il tempo’ at Palazzo Vendramin Grimani reflects the artist’s attention to transience, instability and surface transformation. Through slight distortions and folded interventions, typography becomes part of a spatial and material continuum.
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Designed on the occasion of the 61st International Art Exhibition, B61 guides readers through the Venice Biennale with a...
23/05/2026

Designed on the occasion of the 61st International Art Exhibition, B61 guides readers through the Venice Biennale with an ever-adapting, rhythmic layout, turning key exhibitions and events into a lively editorial sequence.
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Published by

‘I mosaici di San Marco’ is conceived as a visual and textual threshold, echoing the experience of entering and graduall...
16/05/2026

‘I mosaici di San Marco’ is conceived as a visual and textual threshold, echoing the experience of entering and gradually inhabiting the basilica.

The narrative interconnects with the iconographic system, as the layout tessellates the page and images unfold at an unprecedented scale, revealing fragments the eye perceives within the magnificence of the whole.
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design

For ‘Waterfront’, the solo exhibition by Davide Battistin in Paris, the catalogue follows an emotional arc shaped by fad...
08/05/2026

For ‘Waterfront’, the solo exhibition by Davide Battistin in Paris, the catalogue follows an emotional arc shaped by fading light. From painting to the density of pigment and gesture, it traces his evolving research — subtly echoing the shifting human relationship with water.
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design

‘Ca’ Contarini dalle Figure’ unfolds the layered identity of a Venetian residence, where architecture and history intert...
10/04/2026

‘Ca’ Contarini dalle Figure’ unfolds the layered identity of a Venetian residence, where architecture and history intertwine, reflecting the city’s cultural transformations. The narrative retraces its evolutions and influences, while the visual structure sustains a continuous shift between individual story and collective identity.
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Gold accents and a structured image system guide the reading of Tintoretto’s Crucifixion, moving between detail and whol...
13/03/2026

Gold accents and a structured image system guide the reading of Tintoretto’s Crucifixion, moving between detail and whole. Designed around the painting’s recent restoration, the volume pairs an elegant layout with a rich iconographic apparatus.
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Published by
Printed by

An explosive season at Teatro L’Avogaria, built around a visual identity where vibrant palettes and bold, striking typog...
20/02/2026

An explosive season at Teatro L’Avogaria, built around a visual identity where vibrant palettes and bold, striking typography carry the energy of the stage well beyond its walls.



22/12/2025

Happy holidays from Tomomot
Buone feste da Tomomot!
#2026

Indirizzo

San Marco 2012
Venice
30124

Orario di apertura

Lunedì 09:30 - 18:30
Martedì 09:30 - 18:30
Mercoledì 09:30 - 18:30
Giovedì 09:30 - 18:30
Venerdì 09:00 - 18:30

Telefono

+390410995880

Sito Web

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