04/16/2021
INTO THE DATAVOID 026 // Glimpse into the process today, ⬇️ read more below if you’re interested
This is sort of what I meant when I said in my Workflow tutorial (pinned to my story highlights) about seeing a very basic and flat image and seeing potential in it. Every element besides the landscape I brought in or painted in. Doing these every day provides a really great warmup for my brain, and it also let’s me sort through my thoughts and just get rid of the negative ones. A lot of my pieces look foreboding or evil, but in actuality they’re not a representation of how I carry myself, but rather my unwanted thoughts or feelings characterized and edited away.
Methods used in this piece:
- Center statue image brought in, used Photoshop’s “Match Color” to blend to the flat image, adjusted curves and masked in overlapping grass at the base for realism
- Upper statues and buildings masked in, played with different Blending Modes and adjusted curves to fill into the “haze” of the flat image
- Center horizontal bar is just a masked shape, filled with a neutral Gray > Filters > Stylize > Wind (set to Scatter & From the Left)
- The hand is painted in with a digital dry brush (very easy to paint in objects over a previous image because you can eyedropper the values around the subject really easily)
- Out of focus crow painted in, left side. Single color & then applied a Lens Blur with about a 60 value radius
- Water image cresting the middle box is just a stock photo set to Screen, hand masked the outline of the waves
- Post color grading done with Photoshop’s Camera Raw Filter, added a light vignette and added light noise to blend everything together.
- Additional “haze” effect can be easily created by filling a new layer with a light grey, clipping it to your composition layer (merge all layers before you do this), and then set to Soft Light around 20-40% opacity.
@ Atlanta, Georgia