James Media Group

James Media Group James Media Group provides professional audio/video services and training to individuals, companies and organizations.

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03/29/2026

You spent money on the equipment.
You have someone running it every week.
And the broadcast still doesn't look like what's happening in the room.
That gap — between what the people inside experience and what the people outside receive — is the most expensive problem most institutions don't know they have.
It's not the camera. It's not the software.
It's that no one ever set up the system for broadcast. It was set up for the room. The stream was an afterthought, and it shows.
The remote audience can feel that.
Most institutions reach a point where they realize they need more than equipment — they need a system. A process. Someone who can look at what they have, identify what's actually causing the gap, and build the infrastructure to close it.
That's what James Media Group does.
We work with churches, schools, and organizations that broadcast to a remote audience — and we build the broadcast department they don't have yet. Diagnosis, system design, staff training, full handoff.
You own it. We build it.
If your institution broadcasts and the results don't match the investment — let's talk. The first conversation is free.

James Media Group The broadcast production firm for institutions that don't have one.

Call now to connect with business.

Sound Nugget: The 60/30/10 Rule for Gain StructureWhen setting up a live-sound or studio session, aim to use about 60% o...
10/08/2025

Sound Nugget: The 60/30/10 Rule for Gain Structure

When setting up a live-sound or studio session, aim to use about 60% of your mixer’s headroom for input gain, 30% for your mix fader and leave 10% as reserve for unexpected peaks or dynamic performers. This keeps your signal strong and clean, yet leaves you enough headroom to tame sudden spikes so you avoid both noise-floor issues and clipping havoc.

Quick how to:

1. Inputs at 60%: Set each channel’s trim until its nominal signal rests around –18 dB FS (about 6 dB below unity gain).

2. Mix at 30%: Position mix/master faders near –6 dB FS for a balanced sum with plenty of headroom.

3. Reserve 10%: Leave the top end (–6 dB to 0 dB FS) unused during rehearsals—if any channel pops above, pull its fader or trim slightly; you’ll never be surprised by a slam-into-0 dB clip.

This simple ratio helps you maintain clarity and flexibility—no more nasty surprises in the heat of the gig!

10/27/2021

End to End Media Solutions

All in a day’s work.
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All in a day’s work.

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& configurations with

Graduation Season. Are you a graduate?
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Graduation Season. Are you a graduate?

Graduation Season.
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Graduation Season.

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265 Peachtree St NE
Atlanta, GA
30303

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