Brooksby Color

Brooksby Color DaVinci Resolve Colorist DaVinci Resolve colorist on Google Fiber.

Mutton Busting at Strawberry Days PRCA Rodeo! Saturday night 6-20-26 Shooting on a manual 150-500mm is a real challenge ...
06/22/2026

Mutton Busting at Strawberry Days PRCA Rodeo! Saturday night 6-20-26 Shooting on a manual 150-500mm is a real challenge but I was really pleased with how these turned out! Kids were flying!

Final color vs where we began on a recent Samsara ad. Creating a balanced look with higher intensity and focus was the...
02/28/2026

Final color vs where we began on a recent Samsara ad. Creating a balanced look with higher intensity and focus was the goal in the cockpit. Fixing the hard temperature cast on the other clips was the goal. These were previously captured files that needed some care to recover. Love how they turned out for the big day

02/10/2026

I tried to pull temperatures to a more normalized tone and build up an intensity to the racing clips, especially inside the cockpit.

https://www.youtube.com/watch?v=WjvHZ-hSzEo Coloring a commercial for the Super Bowl is a really unique honor. Thank you...
02/10/2026

https://www.youtube.com/watch?v=WjvHZ-hSzEo Coloring a commercial for the Super Bowl is a really unique honor. Thank you to Michael Matassa for the incredible opportunity. His edits always sing. Pulling together these shots and building up the intensity to match the feeling inside the car was an exciting challenge.

01/09/2026

Patience in the cold: I shot this in Timelapse mode on my original BMPCC in raw .dng. Luckily I was able to pull some of the highlights back as the morning got a lot brighter than I expected and I didn’t want to disturb the camera to ramp down my exposure till I was finished. I layered in a few other adjustments to make the transition from start to finish flow better. Love tackling challenges like this where our eyes make the needed adjustments so perfectly without our notice but motion picture only has this narrow window to work optimally within so we have to modify and adjust without the audience’s notice. I shot some Super8 film recently that I’ll be sharing and it’s just as important to work within that window with film as it is with digital, though the bias there leans toward this sort of over exposure. I’m excited to see what a high bitrate scan of motion picture film can do in DaVinci Resolve. Film making is magic. I love it.

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