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Contemporary Native Comprehensive logo design and brand development supported by hand illustration, vector design, photo My room was in the third attic. Then college happened.

Comprehensive logo design and brand development supported by hand illustration, vector design, photo manipulation, print production, and online marketing. I can't talk about my professional life without talking about where I came from. I grew up on the Lower Brule Indian Reservation in South Dakota. My father, an honest to goodness 'Cowboy', worked as a farm laborer for a local family run farming and ranching corporation. He made just under $10,000 a year to support a family of five. He ran a very small herd of cattle on the side, and, with borrowed equipment from his employer, maintained a 25 acre corn field. My mother raised us and pigs (our biggest source of income). Our house (provided by my dad's employer) was an actual old homestead that had been added onto at different times. In winter I slept with a snow drift at the end of my bed. My two sisters and I helped work the cattle and pigs, and irrigated the corn field at our grandmother's place. We were up before dawn doing chores, then off to school, then more chores, prepared dinner, ate, did homework, back down to do chores, and, finally, bed. I have been bone tired, muscle weary, and emotionally drained... and I loved every bit of it. As poor as we were, I was also a big fish in a small pond as a local artist. I won my first logo contest at the age of 11. I drew campaign posters for local county government candidates, did school program covers, and designed the senior t-shirts all four years of high school. I even kept samples for my 'portfolio' for whenever I would finally leave home and interview for jobs. I still have the logo I designed at 11, as well as printed t-shirts from 1983 to 1986. I sold my horse, saddle and cattle to go four hours away to Black Hills State College (now University) in Spearfish, SD. They had just instituted a Commercial Art Associates degree that I signed up for. I was just an artist from the river breaks with no previous 'artistic instruction', but was expected to already know primary colors, basic art techniques, artistic genres and styles, and so on. I knew nothing... and ultimately failed. I ended up homeless (our old homestead house burned down the year before our father passed away from the overwhelming hard work) without enough experience to get a job waiting tables, but I persevered. I started freelancing at that time in graphic illustration and design, along with some writing. I eventually went back to college and graduated with the Commercial Art Associates I started with, as well as a BS in Communications Art with a Graphics Emphasis, and a minor in Psychology. I was also just a few credits shy of getting Bachelor degrees in Industrial Technology (emphasis in Secondary Education), Psychology (emphasis in Personality Development), and Fine Art. What can I say. I like to learn as much as I like to work. I was never a kid with big dreams. I liked our life even though it was hard. My talent for graphic design and consequent career has taken me somewhat by surprise. I have only my mother to blame. She was my ambition when I had none. She was and is my main support. And my father... a man... a human being who was, and is, a Saint in every way that counts. A quiet reassuring presence in a world that eventually left him behind. Every step up in my career has been wonderful, yet hard earned. I don't know any other way to be than someone who puts their all into everything they do. Who needs ambition? Today, 30 years later, I am still a pig farmer's daughter, but also a damn descent graphic artist.

Please help if you can.
05/06/2026

Please help if you can.

My family and I have been struggling financially for the past couple … Jesse Schamont needs your support for Help support a family work past illness & poverty

20/11/2025

The Red Chair Sessions
Don Smoke, Gekinoomaagenh Mukwa, Anishinaabe from Alderville First Nation
Photographed on the traditional territory of the Anishinaabeg
January 27, 2024

© Nadya Kwandibens, Red Works Photography

20/11/2025
20/11/2025
20/11/2025

When Wilma Mankiller arrived at a major intertribal council meeting as Principal Chief of the Cherokee Nation, she discovered she had been intentionally excluded -- the other chiefs simply hadn't invited her to the table. As her daughter Gina Olaya later recalled, many feared that having a female leader would make them "the laughing stock of all tribes." But Mankiller refused to be sidelined. She went to the council meeting anyway, found a chair, dragged it in and forced her way up to the tables. When the meeting was adjourning, she stood up and said, "No, I have something to say."

That moment of quiet defiance defined her leadership style. During her 1983 campaign for deputy chief, she had faced death threats, had her tires slashed, and watched as a billboard bearing her image was burned. Born on this day in 1945 in Tahlequah, Oklahoma, Mankiller would go on to serve as Principal Chief from 1985 to 1995, transforming what began as an exercise in exclusion into a decade of unprecedented growth and empowerment for the Cherokee people.

Mankiller was far more than a barrier-breaker -- she was a visionary who rebuilt communities and restored pride through grassroots action. She won election in her own right in 1987 and was reelected by a landslide in 1991, proving her critics wrong through tireless dedication to her people. During her tenure, she tripled tribal employment, increased enrollment from 55,000 to 156,000, and launched the Bell Community Revitalization Project, working alongside community members to bring running water to rural Cherokee homes. She championed a self-help approach, giving tribal members the tools and resources to solve their own challenges.

Reflecting on her legacy, she once said, "We are a revitalized tribe. After every major upheaval, we have been able to gather together as a people and rebuild a community and a government." Despite facing sexism that persisted even after her election -- with some Tribal Council members discounting her because of her gender -- Mankiller persevered with grace and strength, ultimately earning the Presidential Medal of Freedom and leaving a legacy that continues to inspire Indigenous peoples and women leaders worldwide.

To introduce children to this extraordinary role model, we highly recommend the picture book biography "Wilma's Way Home" (https://www.amightygirl.com/wilma-s-way-home) and the chapter book "She Persisted: Wilma Mankiller" (https://www.amightygirl.com/she-persisted-wilma-mankiller), both for ages 6 to 9

For adults who would like to learn more about the trailblazing Wilma Mankiller, we recommend her memoir, "Mankiller: A Chief and Her People" (http://amzn.to/1yPI3Uc). Her conversations with 20 indigenous women leaders are also captured in the engaging book "Every Day is a Good Day: Reflections by Contemporary Indigenous Women" (http://amzn.to/1Ggu2nS)

For children's books that celebrate pioneering female environmentalists, visit our blog post "25 Kids' Books About Female Environmentalists" at https://www.amightygirl.com/blog?p=14831

To learn about our favorite Mighty Girl books starring Native American and Aboriginal girls and women, check out our blog post "50 Children's Books Celebrating Native American and Indigenous Mighty Girls" at https://www.amightygirl.com/blog?p=10365

For Mighty Girl stories that teach about the importance of protecting the Earth for future generations, visit our special collection of the "Top Children's Books about the Environment" at https://www.amightygirl.com/mighty-girl-picks/top-children-s-books-on-the-environment

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