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Filmtools

Name: Filmtools
Address: 1400 W Burbank Boulevard, Burbank, CA, 91506, US
Telephone: +18188458066
Price range: $$$
Rating: 4.3

California’s Local Source for Production Equipment. Our mission is to supply you with unequaled service and product selection.
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Filmtools has been online since 1996 as the web's first store dedicated to supporting the Motion Picture Camera Department. Over the years Filmtools has expanded, aiming to supply all studio departments and aspects of filmmaking including equipment and supplies for Directors, Gaffers, Lighting Technicians, Grips, and Electricians as well as independent filmmakers and students.

10/26/2026

Your first day on set as a 2nd AC can feel like a lot, but showing up prepared, organized, and confident will make everyone’s day run smoother. 🎬

Here are five tools and habits that can save you time, protect the gear, and help you make a great impression:

1️⃣ Slate clearly and confidently.
Before you step in, make sure the camera is rolling. Hold the slate steady long enough for it to be read, call everything clearly, and give it a confident clap. A clean slate saves the assistant editor time.

2️⃣ Bring a backup monitor.
There are somehow never enough monitors on set. I keep an OSEE 7-inch Monitor nearby because it can live on the camera, become a quick director’s monitor, or save the day when another department unexpectedly needs a video feed.

3️⃣ Carry spare camera screws.
The SmallRig Camera Screw Set fits in your pocket and contains nearly every screw you’re likely to drop, lose, or suddenly need. I once watched my only 1/4”-20 screw disappear directly through a sewer grate. Never again.

4️⃣ Prepare the next lens before the change.
Have the new lens in your hands and ready to go before the current lens comes off the camera. A fast, organized exchange keeps the crew moving and minimizes the amount of time the sensor is exposed to dust and debris.

5️⃣ Keep the matte box secure.
The matte box comes off during nearly every lens change, and it shouldn’t be tossed onto an apple box—or worse, placed on the ground. A Kondor Blue Safety Braid lets you clip it securely to the camera so it stays protected and within reach.

Being a strong 2nd AC isn’t about knowing everything on day one. It’s about paying attention, anticipating what comes next, taking care of the equipment, and making the camera team’s job easier.

You’re going to crush it. Just don’t forget the sticks. 🎥👏

What’s one tool or habit every new 2nd AC should know about? Drop yours in the comments.

10/13/2026

This is the hardest portable SSD to lose. I know because I stuck the Glyph Atom EX80 to my car and drove away. 😅

Thankfully, the built-in magnet held on, and it works with MagSafe setups, too. If the drive does go missing, you can use Apple Find My or Android tracking to locate it. You can even make it ring.

The Atom EX80 is also seriously fast. My tests hit over 6,000 MB/s, with some results reaching 7,000 MB/s. Its aluminum body helps dissipate heat without a fan, and SteadyIO technology is designed to keep performance consistent during longer transfers.

Glyph includes a Connect+ cable that supports 80 Gbps data speeds and up to 240 watts of power delivery. The drive also comes with a rugged bumper and a MIL-STD-810F rating for shock, dust, and vibration.

And the warranty has you covered with three years of hardware coverage, two years of data recovery, and one year of overnight replacement.

Which I really needed because apparently “let’s see if it stays on the car” is now part of the SSD test plan.

10/06/2026

Your first day on set as a 1st AC can be intimidating, but showing up prepared, organized, and ready to solve problems will make everyone’s life easier. Here are five tips (and a few pieces of gear) to help you look like you’ve done this before:

🎯 Think of your follow focus like the wheel of a car. When the actor moves farther away, drive the tire forward. When they move closer, drive it back toward you. It’s a simple mental trick that helps you stop thinking about left and right, and start thinking about where your focus needs to go.

🔧 Keep a SmallRig Camera Screw & Hex Key Set nearby. It has just about everything you’ll need for quick on-camera adjustments, or replacing the one screw the rental house somehow forgot to include.

🔦 The Kondor Blue Firefly D-Tap Light plugs into any D-Tap battery and gives you just enough light to see your focus marks, organize your cart, or dig through a Pelican case without blasting light across the entire set.

🎥 Before removing a lens, open the aperture all the way. This helps take tension off the iris mechanism so the lens gear isn’t sitting under load while the lens is being handled or packed away.

🧰 We also love keeping an extra Pelican 1060 in the kit. It’s perfect for media cards, readers, cables, batteries, adapters, screws, and all the other tiny things you absolutely cannot afford to lose or crush.

What advice would you give someone working their first day as a 1st AC? Drop it below 👇

09/23/2026

You probably saw the incredible spinning-phone rig from Elise Schatz and Gurvir Riar. We loved the build and results, but wanted to see if we could recreate the effect for less.

Gurvir’s original rig costs around $430 if you were to buy all the parts. For our version, we stripped the concept down to the essentials.

Our finished rig weighs less than five pounds, gives us a smooth rotation, and costs around $200 before tax, less than half the estimated price of the original. We were stoked with the results.

But we had to ask the dangerous question: could we put an actual camera on it?

For the FX3 version, we kept our original base but built the rig out pretty substantially. We can’t lie: this version costs around $350, and it’s heavy, clunky, and awkward to spin without hitting your arm. But we’re glad we tried it, and we’re pretty happy with the footage. Now it’s YOUR turn to take a crack at it. If you build either version, tag Filmtools and send us the results.

09/14/2026

Here’s our top 5 new products from IBC 2026

09/10/2026

🎧 If your first day on a film set is coming up, don’t forget your surveillance earpiece.

Production will usually provide the radio, but the headset is on you. And yes, assistant directors can clock an inexperienced crew member pretty quickly when they show up without one. Even if you remember it, choosing the cheapest option can leave your ear sore before lunch.

These days, my go-to is the On Set Headsets FilmPro. It works with the radios you’ll commonly encounter on set, delivers clear sound, and most importantly, stays comfortable throughout a long production day. When you’re constantly listening for cues, comfort and clarity matter more than you might expect. A reliable surveillance setup keeps communication discreet and lets you focus on the job instead of whatever’s digging into your ear.

The FilmPro also comes with different cord options, including black and camo, so your headset can stay low-profile and blend into your wardrobe.

But the upgrade I didn’t expect to care so much about was the tube itself.

Replacing a standard silicone acoustic tube with a fabric Tubeez cover made a surprisingly big difference: less moisture, less irritation, and much more comfort over the course of the day. Tubeez also come in more than 25 colorways, giving you a rare opportunity to show a little personality while wearing show blacks.

This isn’t about flexing gear. It’s about showing up prepared, taking care of yourself, and making those long days on set a little easier.

You’re going to kill it on set, just don’t forget your surveillance. 🎬

Shop On Set Headsets FilmPro and Tubeez at Filmtools.

09/04/2026

🎙️ What if you could record a whisper and an explosion in the same take, without constantly riding your gain?

That’s the advantage of 32-bit float audio.

If you’re familiar with dynamic range in cameras, the basic idea is similar. A camera with greater dynamic range retains more detail across deep shadows and bright highlights. In sound recording, 32-bit float provides an enormous amount of headroom, allowing you to capture extremely quiet and extremely loud sounds in the same recording.

Traditional 16-bit and 24-bit workflows require careful gain staging to keep the signal above the noise floor without clipping sudden peaks. With a properly designed 32-bit float recorder, you have far more flexibility: audio that appears too quiet or clipped on the waveform can often be recovered simply by adjusting its level in post.
That can be a lifesaver on unpredictable productions. Imagine recording a scene that moves from whispered dialogue to shouting, a slammed door, or a sudden practical effect. Instead of constantly anticipating every change in volume, the sound mixer can concentrate more fully on microphone placement, performance, environmental noise, and the rest of the mix.

There is one important caveat: 32-bit float isn’t magic. A microphone capsule, wireless transmitter, preamp, or another part of the signal chain can still overload. Good mic placement and sound technique remain essential. But when the entire recording path is designed to take advantage of it, 32-bit float can dramatically reduce the risk of losing a take to improper recording levels.

Some excellent 32-bit float options include:
🎚️ Sound Devices MixPre-6 II and MixPre-10 II 🎚️ Zoom F8n Pro, F6, and F3 🎚️ Tascam Portacapture X8 and DR-10L Pro 🎚️ Deity PR-2

These recorders cover everything from compact personal setups and plant microphones to professional multichannel location-sound rigs. Check them out at Filmtools

08/31/2026

Kodak is bringing the thrill of ripping packs to filmmakers. 📸

You’ve probably seen the Kodak Charmera everywhere recently. These tiny cameras combine three product trends that are having a moment right now: disposable-camera aesthetics, imperfect early-digital/DV-style imagery, and the dopamine hit of collectible blind boxes.

But the reason we were excited to carry them at Filmtools goes a little deeper than the trend: Kodak actually pulled from its own history for the design.

The Charmera takes a lot of inspiration from the Kodak Fling, a tiny 110 film camera Kodak introduced in the late ’80s following the arrival of Fujifilm’s QuickSnap.

Because the Fling used 110 film instead of 35mm, Kodak could make the camera ridiculously compact, small enough to disappear into the pocket of 80’s kid’s acid-washed mom jeans.

Fast-forward nearly 40 years and the idea is back, only now it’s digital.

For about $35, the Charmera gives you a 1.6MP sensor, fixed 35mm-equivalent f/2.4 lens, built-in retro filters, MicroSD recording and USB-C charging, all packed into a genuinely tiny reusable camera with a clip.

Everything is basically automatic. There are no serious exposure controls, no RAW files and definitely no LOG profile hiding in the menu.

And the pictures?

They look… bad.

But we mean that affectionately.

In a world where computational photography can turn almost any smartphone photo into a technically perfect image, and AI can generate something that never existed at all, there’s something strangely refreshing about a camera that gives you a tiny, crunchy, unpredictable JPEG and tells you to live with it.

There’s also the blind-box element. Different designs are hidden inside each package, including a much rarer translucent version.

At this point, just about everyone around the Filmtools office has bought one and tried their luck.

Nobody has pulled the translucent one yet.

So statistically speaking*… your odds have never been better.

Come by Filmtools, rip a pack and see what you get. 🎞️📸

*We are a camera store, not statisticians.

08/27/2026

The right size. Every time. 🎬

The Matthews Grip Rail is a telescoping grid pipe system designed for faster, more flexible rigging… without hauling multiple lengths of pipe or cutting new pieces on set.

Extend it, lock it down, and use it vertically or horizontally to rig lights, cameras, backdrops, rag frames, and more. It’s compatible with standard pipe fittings, grid clamps, scaff clamps, and Matthellinis, and features a rotating 1-1/8” Junior Receiver for secure mounting.

Available in multiple sizes covering approximately 26” to 72”, Grip Rails can also be joined end to end when you need more reach.

Stop cutting. Start rigging.

Check out the Matthews Grip Rail at Filmtools. Shop online or visit us in Burbank!

Matthews Studio Equipment, Inc

08/19/2026

4+ miles of tape. Seriously. 🎞️

Our tape wall might be one of the most colorful parts of the store, but every roll up there has a purpose.

Gaff tape, paper tape, fluorescent tape, dance floor tape, chroma tape, glow-in-the-dark tape, double-sided tape, electrical tape, painter’s tape… and a whole bunch of specialty tapes you probably didn’t even know existed.

Whether you’re securing cables, marking actors, matching a green screen, laying down a dance floor, labeling gear, marking hazards, or just need something that’ll survive a long day on set… there’s probably a tape for it.

And yes, we have duct tape too…

…It’s just tucked away in the corner where the film students can’t find it. 😂

Come check out the wall and find the right tape for your next production. 🎬

Pro Tapes

Address

1400 W Burbank Boulevard
Burbank, CA
91506

Opening Hours

Monday	8am - 6pm
Tuesday	8am - 6pm
Wednesday	8am - 6pm
Thursday	8am - 6pm
Friday	8am - 6pm
Saturday	9am - 3pm

Telephone

+18188458066

Website

http://www.filmtools.com/

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