DVT NZ

DVT NZ Film, TV and VFX gear for NZ's screen industry since 1996. Independent, NZ owned and Auckland-based.

DVT was established in February 1996 to service the rapidly expanding production, post production and visual effects markets. When the company first began, the New Zealand market did not have an independent supplier that could adequately integrate systems from different vendors. As the creative industry gathered momentum, so too did the number of vendors producing high quality digital content creation solutions, and the need for a reseller to provide the vital link in combining these different software and hardware systems was essential. For the past twenty three years DVT has been working to support the growing demand for digital content creation solutions in New Zealand. The company comprises three main divisions – production, post production and visual effects – and works with leading organisations in the communication, broadcast and entertainment industries. Its solutions stem from a diverse range of the world’s most respected technology vendors including Autodesk, Adobe, Apple, HP, Sony and Panasonic. DVT’s value proposition is that it provides a total solution for our clients – so whether someone is looking for production, post production, visual effects, software or hardware, DVT can tailor a solution to meet client specific needs. Since its beginnings, DVT has focused on three key objectives – to bring to New Zealand a variety of cutting-edge technological solutions in the video, broadcast and entertainment area; to thoroughly understand its clients’ business needs in order to present the best possible solution; and to do so providing a high degree of consultation, service, training and support. Today, DVT maintains this focus and successfully services a diverse target market. Video editing clients produce everything from corporate, product and training videos through to more advanced drama, documentary and short film productions. Visual effects clients use tools from DVT for web development, design, production, TV commercials and feature films.

The DaVinci Resolve Micro Color Panel has three weighted trackballs and 12 k***s, and it's small enough to sit beside a ...
03/11/2026

The DaVinci Resolve Micro Color Panel has three weighted trackballs and 12 k***s, and it's small enough to sit beside a laptop on set. It runs on its own battery over Bluetooth and has a slot for an iPad running DaVinci Resolve.

It's at Blackmagic Design's sale price at DVT until Friday 20 November, or sooner if Blackmagic's promotional stock runs out. It doesn't come with Studio, so if you're on the free version, add DaVinci Resolve Studio 21, which is on sale too. Grading for a living? The Mini Panel adds two 5-inch screens. Our guide compares all six: https://dvt.co.nz/blog/choosing-a-davinci-resolve-panel/

The DaVinci Resolve Speed Editor is the compact one: a large search dial and only the keys you need to edit. It's at its...
28/10/2026

The DaVinci Resolve Speed Editor is the compact one: a large search dial and only the keys you need to edit. It's at its best on Resolve's Cut page, and it runs on its own battery over Bluetooth, so it travels with a laptop.

It comes with a DaVinci Resolve Studio activation key, and it's at Blackmagic Design's sale price at DVT until Friday 20 November, or sooner if Blackmagic's promotional stock runs out. Editing full time in a suite? The Editor Keyboard is the bigger one. Our guide compares all six panels: https://dvt.co.nz/blog/choosing-a-davinci-resolve-panel/

CODEX, which makes the CompactDrive media for ARRI's ALEXA cameras, has launched its own CFexpress 4.0 cards, and they'r...
26/10/2026

CODEX, which makes the CompactDrive media for ARRI's ALEXA cameras, has launched its own CFexpress 4.0 cards, and they're built to last. DVT is CODEX's exclusive New Zealand reseller.

Type B cards are built into a full aluminium casing, and every card has a published endurance rating. Each one carries a 3-year warranty when you register it, and CODEX covers 2 years of data recovery if a card fails.

CODEX media has been used on productions including Dune: Part Three, Spider-Man: Brand New Day and Project Hail Mary.

Which card suits your camera? Type A cards are for Sony bodies, including the FX6, FX5, FX3, FX30 and FX2. Type B cards fit Canon, Nikon, Panasonic, Fujifilm, Blackmagic Design, DJI, Leica and Atomos kit, plus Sony's BURANO and Fujifilm's GFX ETERNA 55.

Excel is VPG400 certified for uninterrupted 8K video, which covers most shoots. Elite has twice the rated endurance of the Excel card at the same capacity, and VPG1600 on Type B, so it's the one for kit that works every day or goes out on hire.

Tell us which camera you're shooting on and we'll tell you which card to get. The full range and pricing are at https://dvt.co.nz/codex/

Why add a panel to your DaVinci Resolve setup? You work by feel with both hands, so your eyes stay on the picture and no...
22/10/2026

Why add a panel to your DaVinci Resolve setup? You work by feel with both hands, so your eyes stay on the picture and not on menus.

Six Resolve panels and DaVinci Resolve Studio 21 are at Blackmagic Design's sale price until Friday 20 November, and we've matched it. The Speed Editor, Editor Keyboard, Mini Panel and Advanced Panel each come with a Studio activation key. The panels' sale price ends sooner if Blackmagic's promotional stock runs out.

Tell us whether you mostly edit or grade, and we'll recommend one. All seven are in our guide at https://dvt.co.nz/blog/choosing-a-davinci-resolve-panel/

Address

The Loft, Department Of Post Building, 19 Newton Road
Auckland
1010

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm

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